By John Corrado The latest work from Ukrainian filmmaker Valentyn Vasyanovych, To the Victory! is an interesting and narratively playful portrait of life finding a way in an imagined post-war country, and also a meta-textual look at an artist trying to use the decimated backdrop to create something. Vasyanovych stars in the film as Roman,… Read More #TIFF50 Review: To the Victory! (Platform)
By John Corrado In her heartwarming and heartfelt dramedy Rental Family, director Hikari explores the Japanese industry of “rental families;” actors that can be hired to play the roles of family members and friends for lonely people. It’s a concept perhaps foreign to Western audiences, but one that, in her film at least, is an… Read More #TIFF50 Review: Rental Family (Special Presentations)
By John Corrado In her narrative debut Meadowlarks, Canadian filmmaker Tasha Hubbard adapts her 2017 documentary Birth of a Family into a deeply moving family drama. The film follows four Cree siblings – brother Anthony (Michael Greyeyes, delivering one of his finest performances) and his three sisters Connie (Carmen Moore), Gwen (Michelle Thrush), and Marianne… Read More #TIFF50 Review: Meadowlarks (Special Presentations)
By John Corrado A companion piece to the cinematic spectacle of his excellent 2022 biopic Elvis, Australian director Baz Luhrmann’s EPiC: Elvis Presley in Concert answers the question of what a Luhrmann-directed documentary looks like. We get the flurry of flashy images, editing, and title cards, with Luhrmann delivering all the visual razzle-dazzle we expect.… Read More #TIFF50 Review: EPiC: Elvis Presley in Concert (Special Presentations)
By John Corrado I Swear is an enjoyable biographical drama based on the life story of John Davidson, a man living with Tourette’s syndrome, who became an early pioneer in helping bring awareness to the neurological disorder. The film opens with John (played by Robert Aramayo) receiving an award from the Queen in recognition of… Read More #TIFF50 Review: I Swear (Centrepiece)
By John Corrado In his film Bad Apples, Swedish director Jonatan Etzler fully commits to a tricky tonal tightrope walk between drama, thriller, darkest of dark comedies, and barn-burner of a satire. It will polarize viewers, but is also completely engaging if you are able to get on its wavelength. Saoirse Ronan stars in the… Read More #TIFF50 Review: Bad Apples (Special Presentations)
By John Corrado Christy is Australian director David Michôd’s gruelling sports biopic of boxer Christy Martin, a pioneer in the sport of female boxing. Michôd doesn’t fully escape the expected biopic beats. But his film is an emotionally charged one, built around two very strong performances from Sydney Sweeney, who is excellent as Christy, and… Read More #TIFF50 Review: Christy (Special Presentstions)
By John Corrado A clear labour of love for director Colin Hanks and producer Ryan Reynolds, the celebrity bio-doc John Candy: I Like Me provides an engaging and moving tribute to the Canadian legend, both his work and his humanity. It was a fitting choice for the festival’s opening night on Thursday. The film’s name,… Read More #TIFF50 Review: John Candy: I Like Me (Gala Presentations)
By John Corrado Named for the Jonathan Edwards country song, which gives you some idea of the tone the film is going for, Carolina Caroline is the story of Caroline (Samara Weaving), a Texas girl looking for a way out of her dead end town. She finds it in a drifter con man (Kyle Gallner)… Read More #TIFF50 Review: Carolina Caroline (Centrepiece)
By John Corrado In her sophomore feature Blood Lines, Métis writer, director, and actress Gail Maurice (Rosie) crafts a family melodrama steeped in Métis culture. This cultural specificity is the main point of intrigue for Maurice’s film, which is also presented largely in the traditional Michif language. The main character is Beatrice (Dana Solomon), a… Read More #TIFF50 Review: Blood Lines (Centrepiece)
By John Corrado The latest film from Korean director Park Chan-wook, following up the gauzy, neo-noir, romantic mystery of 2022’s stunning Decision to Leave, No Other Choice is a wildly entertaining film that moves so seamlessly between dark comedy, drama, and murderous thriller, that it seems to defy genre itself. The story centres around Man-soo… Read More #TIFF50 Review: No Other Choice (Gala Presentations)
By John Corrado There is something objectively funny about Canadian filmmaker and actor Matt Johnson using the money and industry cred that he received from his 2023 movie BlackBerry to make Nirvanna the Band the Show the Movie, an idiosyncratic and gloriously entertaining big screen resurrection of his cult web series from 2008. In doing… Read More #TIFF50 Review: Nirvanna the Band the Show the Movie (Midnight Madness)
By John Corrado The Canadian genre film Honey Bunch serves as both the latest collaboration between actors and real life partners Grace Glowicki and Ben Petrie, and the sophomore feature from co-directors Madeline Sims-Fewer and Dusty Mancinelli. In their debut film, the ultra-gritty revenge thriller Violation, Sims-Fewer and Mancinelli showed an appetite for extreme violence.… Read More #TIFF50 Review: Honey Bunch (Centrepiece)
By John Corrado In his latest film, the Palme d’Or winner It Was Just an Accident, formerly imprisoned Iranian filmmaker Jafar Panahi crafts another complex and involving portrait of modern day Iran. The film follows a group of people who find themselves at the centre of a moral dilemma, when a worker named Vahid (Vahid… Read More #TIFF50 Review: It Was Just an Accident (Special Presentations)
By John Corrado In his mixing of paranoid espionage thriller and absurdist dark comedy, Brazilian filmmaker Kleber Mendonça Filho delivers a culturally specific portrait of his country in the late 1970s in The Secret Agent, seen through the eyes of a man on the run during the waning days of the military dictatorship. The man… Read More #TIFF50 Review: The Secret Agent (Special Presentations)
By John Corrado A man gets off the subway and tries to exit the station. But every time he turns a corner, he ends up back in the same place, stuck in a seemingly endless loop. This is the premise behind the Japanese film Exit 8, a fun and suspenseful little puzzle box thriller from… Read More #TIFF50 Review: Exit 8 (Centrepiece)
By John Corrado Director Oliver Laxe’s Sirât opens on a memorably cinematic scene as a group of outcasts hold a rave in the middle of the Moroccan desert. We see evocative images of massive speakers being set up in the desert, as bodies bop and gyrate in time to the blaring techno music, the beat… Read More #TIFF50 Review: Sirât (Special Presentations)
By John Corrado Sentimental Value is Norwegian director Joachim Trier’s followup to his 2021 modern classic The Worst Person in the World, reuniting him with that film’s star Renate Reinsve. If Worst Person was about a quarter-life crisis and searching for meaning in your twenties, Sentimental Value aims for something even more ambitious in scope.… Read More #TIFF50 Review: Sentimental Value (Special Presentations)
By John Corrado The Long Walk is the long-awaited film adaptation of Stephen King’s 1979 novella of the same name, an early work by the author that became part of a 1985 short story collection published under the pen name Richard Bachman. That that collection also included The Running Man and Rage, a school shooting story… Read More Movie Review: The Long Walk
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