Movie Review: Midwinter Break

By John Corrado In Midwinter Break, the feature directorial debut of British National Theatre director Polly Findlay, Lesley Manville and Ciarán Hinds star as an older married couple on vacation in Amsterdam. Stella (Manville) and Gerry (Hinds) are originally from Ireland, but have lived together in Glasgow for years. It’s clear from the opening scenes… Read More Movie Review: Midwinter Break

Movie Review: “Wuthering Heights”

By John Corrado Emerald Fennell’s “Wuthering Heights” (those quotation marks are an intentional stylistic choice) is the Promising Young Woman and Saltburn filmmaker’s take on the classic Emily Brontë novel from the 1840s. Fennell’s adaptation is a mildly revisionist and risqué take on Brontë. This is her version of Catherine Earnshaw and Heathcliff’s doomed love… Read More Movie Review: “Wuthering Heights”

Movie Review: The Tale of Silyan

By John Corrado In her new documentary The Tale of Silyan, the follow-up to her Oscar-nominated Honeyland, director Tamara Kotevska once again explores the balance between people and nature in North Macedonia. In Honeyland, Kotevska focused on an elderly beekeeper having her traditional way of life – and her livelihood – threatened by a new family… Read More Movie Review: The Tale of Silyan

#TIFF50 Review: Dead Lover (Midnight Madness)

By John Corrado In their latest film collaboration Dead Lover, real life couple Grace Glowicki and Ben Petrie craft a German Expressionist parody with a real handmade quality to it. Glowicki, who directs the film from a screenplay that she co-wrote with Petrie, stars as a lonely gravedigger. We are told that she smells really,… Read More #TIFF50 Review: Dead Lover (Midnight Madness)

#TIFF50 Review: Hamnet (Gala Presentations)

By John Corrado Chloé Zhao’s emotional period piece Hamnet, based on the personal life of William Shakespeare, explores the art that comes through grief. The film, which is adapted from a book by Maggie O’Farrell (who co-wrote the script with Zhao), also finds the filmmaker back in the intimate, character-driven space of her Oscar-winning Nomadland,… Read More #TIFF50 Review: Hamnet (Gala Presentations)

#TIFF50 Review: Eleanor the Great (Gala Presentations)

By John Corrado Scarlett Johansson’s directorial debut, Eleanor the Great, is a competent enough filmmaking start for the actress, that is held back by a questionable and awkwardly handled story. The film features a decent performance from June Squibb, with Johansson providing a much-deserved leading role for the actress in her mid-90s. But the screenplay… Read More #TIFF50 Review: Eleanor the Great (Gala Presentations)