By John Corrado In their latest film collaboration Dead Lover, real life couple Grace Glowicki and Ben Petrie craft a German Expressionist parody with a real handmade quality to it. Glowicki, who directs the film from a screenplay that she co-wrote with Petrie, stars as a lonely gravedigger. We are told that she smells really,… Read More #TIFF50 Review: Dead Lover (Midnight Madness)
By John Corrado In his documentary You Had to Be There – full subtitle How the Toronto Godspell Ignited the Comedy Revolution, Spread Love & Overalls, and Created a Community That Changed the World (In a Canadian Kind of Way) – filmmaker Nick Davis explores a legendary 1972 Toronto production of the Stephen Schwartz musical… Read More #TIFF50 Review: You Had to Be There: How the Toronto Godspell Ignited the Comedy Revolution… (Special Presentations)
By John Corrado The latest work from Inuk filmmaker Zacharies Kinuk, Uiksaringitara (Wrong Husband) is a mix of Indigenous legend and storytelling. Set thousands of years in the past, the film follows Sapa (Haiden Angutimarik) and Kaujak (Theresia Kappianaq), a boy and girl who are betrothed to each other, gaining them the names “future husband”… Read More #TIFF50 Review: Uiksaringitara (Wrong Husband) (Special Presentations)
By John Corrado Out Standing is Quebec filmmaker Mélanie Charbonneau’s well-acted biopic of Sandra Perron, who became Canada’s first female infantry officer. The film is adapted from her 2017 memoir, Out Standing in the Field. A proud member of a military family, Perron (who is played in the film by Nina Kiri) joined the Canadian… Read More #TIFF50 Review: Out Standing (Discovery)
By John Corrado In his narrative feature debut Tuner, Oscar-winning Navalny director (and Toronto local) Daniel Roher delivers a delightful surprise. Roher’s first fiction film finds its own rhythm, with a carefully calibrated mix of tones that blends drama, romantic comedy, and thriller, set to a fitting, jazzy score. The film’s premise is also an… Read More #TIFF50 Review: Tuner (Special Presentations)
By John Corrado In her narrative debut Meadowlarks, Canadian filmmaker Tasha Hubbard adapts her 2017 documentary Birth of a Family into a deeply moving family drama. The film follows four Cree siblings – brother Anthony (Michael Greyeyes, delivering one of his finest performances) and his three sisters Connie (Carmen Moore), Gwen (Michelle Thrush), and Marianne… Read More #TIFF50 Review: Meadowlarks (Special Presentations)
By John Corrado A clear labour of love for director Colin Hanks and producer Ryan Reynolds, the celebrity bio-doc John Candy: I Like Me provides an engaging and moving tribute to the Canadian legend, both his work and his humanity. It was a fitting choice for the festival’s opening night on Thursday. The film’s name,… Read More #TIFF50 Review: John Candy: I Like Me (Gala Presentations)
By John Corrado In her sophomore feature Blood Lines, Métis writer, director, and actress Gail Maurice (Rosie) crafts a family melodrama steeped in Métis culture. This cultural specificity is the main point of intrigue for Maurice’s film, which is also presented largely in the traditional Michif language. The main character is Beatrice (Dana Solomon), a… Read More #TIFF50 Review: Blood Lines (Centrepiece)
By John Corrado There is something objectively funny about Canadian filmmaker and actor Matt Johnson using the money and industry cred that he received from his 2023 movie BlackBerry to make Nirvanna the Band the Show the Movie, an idiosyncratic and gloriously entertaining big screen resurrection of his cult web series from 2008. In doing… Read More #TIFF50 Review: Nirvanna the Band the Show the Movie (Midnight Madness)
By John Corrado The Canadian genre film Honey Bunch serves as both the latest collaboration between actors and real life partners Grace Glowicki and Ben Petrie, and the sophomore feature from co-directors Madeline Sims-Fewer and Dusty Mancinelli. In their debut film, the ultra-gritty revenge thriller Violation, Sims-Fewer and Mancinelli showed an appetite for extreme violence.… Read More #TIFF50 Review: Honey Bunch (Centrepiece)
By John Corrado 40 Acres is a pretty solid Canadian post-apocalyptic survival thriller that imagines a dystopic future where, as the opening title card tells us, a global pandemic led to a second Civil War breaking out and subsequent worldwide famine. This has caused farmland to become the planet’s most valuable resource, with families struggling… Read More Movie Review: 40 Acres
By John Corrado The animated documentary Endless Cookie, which won the Rogers Audience Award for Best Canadian Documentary at Hot Docs, offers a quirky portrait of half-brothers Seth and Pete Scriver. Seth is a white animator living in Toronto, using a government grant to make a film about his Indigenous half-brother Pete, who lives in… Read More Movie Review: Endless Cookie
By John Corrado Two Women, the latest film from Quebec director Chloé Robichaud (Sarah Prefers to Run), is a raunchy, female-centric comedy that serves as a modern remake of Claude Fournier’s 1970 film Two Women in Gold. Fournier’s original remains an influential piece of Quebec cinema, and Robichaud’s version, which has been adapted and updated… Read More Movie Review: Two Women
By John Corrado In his sophomore feature Sharp Corner, Canadian writer-director Jason Buxton (Blackbird) presents an offbeat character study of a man who becomes obsessed with the car crashes happening on his front lawn. A film about a car crash fixation could have gone in many different directions (like David Cronenberg’s Crash, one of the… Read More Movie Review: Sharp Corner
By John Corrado The 2025 Hot Docs Film Festival runs from April 24th to May 4th in Toronto The title of #skoden refers to an Indigenous phrase that is the shorthand of “let’s go, then” said with an Indigenous accent. The saying became immortalized as a meme through a viral image of a Blackfoot man… Read More #HotDocs25 Review: #skoden
By John Corrado The 2025 Hot Docs Film Festival runs from April 24th to May 4th in Toronto Shot on luminous 16mm film, Agatha’s Almanac is a portrait of Agatha Bock, a subject who, in her mid-eighties, is proudly carrying on the traditions of rural farm living in southern Manitoba. The film is directed by… Read More #HotDocs25 Review: Agatha’s Almanac
By John Corrado Director Ann Marie Fleming’s Can I Get a Witness? is set in a futuristic version of Canada, where the progressive government has mandated that everybody “voluntarily” gives up their life at the age of fifty for the sake of the planet. It’s a chilling premise that makes for a mostly engaging if… Read More Movie Review: Can I Get a Witness?
By John Corrado The latest Toronto-set psychodrama from Canadian filmmaker Atom Egoyan, Seven Veils reimagines the opera Salome through the lens of trauma and the #MeToo movement. It’s also perhaps The Sweet Hereafter filmmaker’s strongest late-career effort. Jeanine (Amanda Seyfried) is a young theatre director who is hired by the Canadian Opera Company to remount the… Read More Movie Review: Seven Veils
By John Corrado The second feature from Canadian director Matthew Rankin, following his highly stylized Mackenzie King biopic The Twentieth Century, Universal Language is an absurdist dramedy set in an alternate version of Manitoba where everybody speaks Farsi instead of English. It’s a farcical, high-concept setup that the director not only fully commits himself to (even the signs… Read More Movie Review: Universal Language
By John Corrado The 2024 Toronto International Film Festival runs from September 5th to 15th, more information on tickets and showtimes can be found right here. Léo (Pier-Luc Funk) is a lonely pizza delivery driver in Montreal, who becomes the latest target of John (François Papineau), an alien posing as an older cab driver, who… Read More #TIFF24 Review: You Are Not Alone (Discovery)
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