Hot Docs At Home Review: Made You Look: A True Story About Fake Art

By John Corrado ★★½ (out of 4) The Hot Docs Film Festival in Toronto has come to be one of the biggest showcases of documentary cinema in the world, and it’s an event that, on a personal note, I look forward to attending every spring, as I have done since 2011. But this year, the… Read More Hot Docs At Home Review: Made You Look: A True Story About Fake Art

Previewing the 2020 Toronto Human Rights Watch Film Festival

By John Corrado The 17th annual Human Rights Watch Film Festival kicks off tonight in Toronto, showcasing a total of six timely and relevant films over the next six nights, most of which played at other Toronto festivals over the past year. All of the screenings will be taking place at the Hot Docs Ted… Read More Previewing the 2020 Toronto Human Rights Watch Film Festival

Review: What She Said: The Art of Pauline Kael

By John Corrado ★★½ (out of 4) Whether you agreed with her or not, there’s simply no denying that Pauline Kael was one of the most influential film critics of the 20th century, a writer whose often controversial opinions were sometimes hurtful and sometimes helpful, but always uniquely hers. Even when her contrarian views put… Read More Review: What She Said: The Art of Pauline Kael

Review: Once Were Brothers: Robbie Robertson and The Band

By John Corrado ★★★ (out of 4) Directed by Toronto’s own Daniel Roher, Once Were Brothers: Robbie Robertson and The Band is an engaging and emotional look at Robertson’s own life and career as lead guitarist and main songwriter for The Band, as well as the rise and fall of the group itself. The film… Read More Review: Once Were Brothers: Robbie Robertson and The Band

#TIFF19 Review: And We Go Green (TIFF Docs)

By John Corrado ★★½ (out of 4) Started as an eco-friendly alternative to the fuel-burning of Formula 1, Formula E is a racing series that has been going strong since 2014, in which the drivers compete against each other in battery operated cars, offering a carbon neutral alternative to the high emissions of traditional motorsports.… Read More #TIFF19 Review: And We Go Green (TIFF Docs)

#TIFF19 Review: Once Were Brothers: Robbie Robertson and The Band (Gala Presentations)

By John Corrado ★★★ (out of 4) Directed by Toronto’s own Daniel Roher, and carrying the distinction of being the first ever Canadian documentary to open the festival, Once Were Brothers: Robbie Robertson and The Band is an engaging and emotional look at Robertson’s own life and career as the lead guitarist and main songwriter… Read More #TIFF19 Review: Once Were Brothers: Robbie Robertson and The Band (Gala Presentations)

#TIFF19 Review: Coppers (TIFF Docs)

By John Corrado ★★★★ (out of 4) The latest from Alan Zweig, Coppers finds the Canadian documentary filmmaker interviewing former police officers in Ontario, who have either left the force due to retirement or for other reasons. Speaking directly to the camera, the officers open up about experiencing PTSD, tough decisions they had to make… Read More #TIFF19 Review: Coppers (TIFF Docs)

#TIFF19 Review: Henry Glassie: Field Work (Contemporary World Cinema)

By John Corrado ★★½ (out of 4) Directed by Pat Collins, Henry Glassie: Field Work is a documentary portrait of the renowned scholar and American folklorist Henry Glassie, who has spent over fifty years travelling around the world to study the work that other artists create, from religious statues to clay pots. For much of the… Read More #TIFF19 Review: Henry Glassie: Field Work (Contemporary World Cinema)

#TIFF19 Review: Jordan River Anderson, The Messenger (Masters)

By John Corrado ★★★ (out of 4) The 53rd film from Alanis Obomsawin, Jordan River Anderson, The Messenger continues the Canadian filmmaker’s long history of documenting the injustices faced by Indigenous people in Canada and the fight for equal treatment under the law. This film focuses on the case of Jordan River Anderson, a baby… Read More #TIFF19 Review: Jordan River Anderson, The Messenger (Masters)

#TIFF19 Review: Now is the Time (Short Cuts)

By John Corrado ★★★ (out of 4) Back in 1969, after local religious authorities ordered that all of the totem poles be cut down as part of Canada’s widespread erasure of Indigenous culture, the celebrated Haida artist Robert Davidson became responsible for carving the first new totem pole to be put up in nearly a century in his village… Read More #TIFF19 Review: Now is the Time (Short Cuts)