Hot Docs Festival Online Audience Award Winners

By John Corrado This year’s special online edition of Hot Docs officially came to a close last night, and tonight the winners of the festival’s coveted Audience Award were announced during a live stream, which you can revisit on YouTube. The first place finisher was The Walrus and the Whistleblower, director Nathalie Bibeau’s film about… Read More Hot Docs Festival Online Audience Award Winners

Previewing the 2020 Toronto Human Rights Watch Film Festival

By John Corrado The 17th annual Human Rights Watch Film Festival kicks off tonight in Toronto, showcasing a total of six timely and relevant films over the next six nights, most of which played at other Toronto festivals over the past year. All of the screenings will be taking place at the Hot Docs Ted… Read More Previewing the 2020 Toronto Human Rights Watch Film Festival

#TIFF19 Review: Ema (Special Presentations)

By John Corrado ★★★ (out of 4) The latest film from Chilean director Pablo Larraín, following up his radical English-language biopic Jackie, Ema opens with an image of a street light on fire, and this provides an oddly fitting start to the film. Ema (Mariana di Girolamo) is a professional dancer who adopted a young son from… Read More #TIFF19 Review: Ema (Special Presentations)

#TIFF19 Review: Calm With Horses (Discovery)

By John Corrado ★★★ (out of 4) Set in a sleepy Irish town that offers little in the way of economic opportunity, Calm With Horses follows Douglas “Arm” Armstrong (Cosmo Jarvis), a physically imposing former boxer who struggles with anger management issues. Desperate for cash, he is hired to be an enforcer for the Devers, a… Read More #TIFF19 Review: Calm With Horses (Discovery)

#TIFF19 Review: The Vigil (Midnight Madness)

By John Corrado ★★★ (out of 4) A rare horror movie rooted in Judaism, The Vigil uses Jewish traditions and beliefs as the basis for its haunted house story, rather than the Christian beliefs that usually inform these sorts of narratives. The film opens with Yakov Ronen (Dave Davis) meeting with other young adults who have… Read More #TIFF19 Review: The Vigil (Midnight Madness)

#TIFF19 Review: Chicuarotes (Contemporary World Cinema)

By John Corrado ★★★ (out of 4) The second film directed by celebrated Mexican actor Gael García Bernal, following his 2007 directorial debut Déficit, Chicuarotes follows teenaged friends Cagalera (Benny Emmanuel) and Moloteco (Gabriel Carbajal), who live in the impoverished neighbourhood of San Gregorio Atlapulco in Mexico City. The film opens with them on a… Read More #TIFF19 Review: Chicuarotes (Contemporary World Cinema)

#TIFF19 Review: And We Go Green (TIFF Docs)

By John Corrado ★★½ (out of 4) Started as an eco-friendly alternative to the fuel-burning of Formula 1, Formula E is a racing series that has been going strong since 2014, in which the drivers compete against each other in battery operated cars, offering a carbon neutral alternative to the high emissions of traditional motorsports.… Read More #TIFF19 Review: And We Go Green (TIFF Docs)

#TIFF19 Review: Endings, Beginnings (Special Presentations)

By John Corrado ★ (out of 4) Following a bad breakup, Daphne (Shailene Woodley), a typical twenty-something millennial, decides to take a six month sabbatical from both alcohol and dating as she tries to find her footing and get her life back on track. But it doesn’t last long, because shortly after announcing her hiatus… Read More #TIFF19 Review: Endings, Beginnings (Special Presentations)

#TIFF19 Review: Dolemite Is My Name (Special Presentations)

By John Corrado ★★★ (out of 4) Rudy Ray Moore (Eddie Murphy) was a self-described entrepreneur and fledgling musician who worked in a record shop in the 1970s, when he decided to branch out into doing comedy records. Creating a flamboyant alter-ego named Dolemite, a foul-mouthed pimp who speaks in verse, Moore ended up becoming… Read More #TIFF19 Review: Dolemite Is My Name (Special Presentations)

#TIFF19 Review: Parasite (Special Presentations)

By John Corrado ★★★★ (out of 4) Director Bong Joon-ho’s first film in Korean following his two English-language movies Snowpiercer and Okja, Parasite made history earlier this year when it took home the coveted Palme d’Or at Cannes, becoming the first film from South Korea to win the award. And now that I’ve seen the… Read More #TIFF19 Review: Parasite (Special Presentations)