Canadian Film Fest Review: When Time Got Louder

By John Corrado ★½ (out of 4) The 2023 Canadian Film Fest runs from March 28th to April 1st, with films screening in-person at Scotiabank Theatre in Toronto and virtually on Super Channel Fuse. The debut film from writer-director Connie Cocchia, When Time Got Louder is a Canadian family drama that explores how a tight-knit… Read More Canadian Film Fest Review: When Time Got Louder

Review: Brother

John Corrado ★★★ (out of 4) Brother, the Scarborough-set drama from writer-director Clement Virgo that is up for fourteen Canadian Screen Awards, follows two brothers, Francis (Aaron Pierre) and Michael (Lamar Johnson), over the course of more than a decade. Much of the film takes place in the 1990s, with the Jamaican-Canadian brothers living in… Read More Review: Brother

Review: Bono & The Edge: A Sort of Homecoming, with Dave Letterman (Disney+)

By John Corrado ★★★½ (out of 4) Directed by documentary filmmaker Morgan Neville (20 Feet from Stardom, Won’t You Be My Neighbor?), Bono & The Edge: A Sort of Homecoming, with Dave Letterman is a very enjoyable mix of music documentary, concert film, and docu-special that finds Letterman interviewing U2’s lead singer Bono and guitarist… Read More Review: Bono & The Edge: A Sort of Homecoming, with Dave Letterman (Disney+)

Review: Boston Strangler (Disney+)

By John Corrado ★★½ (out of 4) Written and directed by Matt Ruskin, Boston Strangler is a pretty good direct-to-streaming serial killer thriller that dramatizes the events around the real life Boston Strangler murders, seen from the perspective of Loretta McLaughlin (Keira Knightley), one of the female journalists who helped break the story in 1962.… Read More Review: Boston Strangler (Disney+)

Review: EO

By John Corrado ★★★ (out of 4) EO, the Oscar-nominated latest film from 84-year-old Polish director Jerzy Skolimowski, is an engaging portrait of a donkey travelling around Poland, seen mostly through the animal’s eyes. Styled as a modern cinematic counterpart to Robert Bresson’s 1966 classic Au Hasard Balthazar, the film opens with a show donkey… Read More Review: EO