Movie Review: Seven Veils

By John Corrado The latest Toronto-set psychodrama from Canadian filmmaker Atom Egoyan, Seven Veils reimagines the opera Salome through the lens of trauma and the #MeToo movement. It’s also perhaps The Sweet Hereafter filmmaker’s strongest late-career effort. Jeanine (Amanda Seyfried) is a young theatre director who is hired by the Canadian Opera Company to remount the… Read More Movie Review: Seven Veils

Movie Review: Universal Language

By John Corrado The second feature from Canadian director Matthew Rankin, following his highly stylized Mackenzie King biopic The Twentieth Century, Universal Language is an absurdist dramedy set in an alternate version of Manitoba where everybody speaks Farsi instead of English. It’s a farcical, high-concept setup that the director not only fully commits himself to (even the signs… Read More Movie Review: Universal Language

Movie Review: Wallace & Gromit: Vengeance Most Fowl (Netflix)

By John Corrado The British inventor and his pantomime dog return in Aardman’s Wallace & Gromit: Vengeance Most Fowl, the second feature-length outing for the characters following 2005’s Oscar-winning The Curse of the Were-Rabbit. Co-directed by series creator Nick Park and Merlin Crossingham, this charming and funny new adventure for the stop-motion man and dog… Read More Movie Review: Wallace & Gromit: Vengeance Most Fowl (Netflix)

Movie Review: A Complete Unknown

By John Corrado Director James Mangold arguably perfected the modern biopic structure with Walk the Line, his Oscar-winning 2005 portrait of country singer Johnny Cash. Mangold now returns to this genre and time period with his Bob Dylan biopic A Complete Unknown (in fact, Cash is even featured here as well, as a contemporary of Dylan’s). Dylan, one… Read More Movie Review: A Complete Unknown