By John Corrado In Nuremberg, director James Vanderbilt dramatizes the Nuremberg trials, when members of the Nazi high command were arrested and put on trial for crimes against humanity in the wake of World War II. The result is a rock solid old school historical drama that works surprisingly well on every level. Rami Malek… Read More Movie Review: Nuremberg
By John Corrado Kiss of the Spider Woman, the new musical film from Dreamgirls director Bill Condon, is a big screen reimagining of the 1992 stage musical from John Kander and Fred Ebb, that was in turn based on a 1976 novel that had a 1985 film adaptation. Set during Argentina’s military dictatorship in 1983, the… Read More Movie Review: Kiss of the Spider Woman
By John Corrado If, on the surface, Oh, Hi! might seem likely your typical indie romantic dramedy, it’s one with a blackly comic twist. Writer-director Sophie Brooks sets the stage for this in the opening scene, with female lead Iris (Molly Gordon) frantically telling her best friend Max (Geraldine Viswanathan) that she “did something bad.”… Read More Movie Review: Oh, Hi!
By John Corrado 40 Acres is a pretty solid Canadian post-apocalyptic survival thriller that imagines a dystopic future where, as the opening title card tells us, a global pandemic led to a second Civil War breaking out and subsequent worldwide famine. This has caused farmland to become the planet’s most valuable resource, with families struggling… Read More Movie Review: 40 Acres
By John Corrado Agathe Robinson (Camille Rutherford) is an aspiring romance novelist who works as a shopkeeper at Paris bookshop Shakespeare & Company. She fantasizes about Jane Austen, and longs for her own love story, but is perpetually single, and struggling with writer’s block. Agathe is the protagonist of writer-director Laura Piani’s delightful new romantic… Read More Movie Review: Jane Austen Wrecked My Life
By John Corrado Director Ann Marie Fleming’s Can I Get a Witness? is set in a futuristic version of Canada, where the progressive government has mandated that everybody “voluntarily” gives up their life at the age of fifty for the sake of the planet. It’s a chilling premise that makes for a mostly engaging if… Read More Movie Review: Can I Get a Witness?
By John Corrado In his latest film I’m Still Here, which received a surprise Best Picture nomination at the Oscars, Brazilian filmmaker Walter Salles (The Motorcycle Diaries) offers a portrait of life during Brazil’s military dictatorship in the 1970s through the lens of mainly being a family drama. Salles’ film serves as a biography of… Read More Movie Review: I’m Still Here
By John Corrado The first English-language feature from Spanish master Pedro Almodóvar, The Room Next Door is an involving and morally complex – if occasionally uneven – melodrama, built around a pair of compelling performances from Julianne Moore and Tilda Swinton. The film (which was awarded the Golden Lion at Venice) opens with Moore’s Ingrid,… Read More Movie Review: The Room Next Door
By John Corrado In 2009, director Adam Elliot, the Australian animator behind the 2003 Oscar-winning short film Harvie Krumpet, released his debut feature Mary & Max. The excellent claymation film had a lovingly hand-crafted feel to it, and told the tender story of the pen-pal friendship between a girl and an autistic man, which Elliot explored with… Read More Movie Review: Memoir of a Snail
By John Corrado The choice to make a Donald Trump biopic at this point in time, when the man himself is already so ubiquitous and overexposed in our media landscape, is both an obvious and somewhat curious one. In our polarized age, the mere presence of a film like this raises questions about what audience… Read More Movie Review: The Apprentice
By John Corrado Saoirse Ronan takes on the role of a young alcoholic in The Outrun. It’s a role that allows the actress to deliver an incredible performance showcasing her full depth and range, as the drama depicts the addiction and recovery process as an ongoing journey. It’s based on author Amy Liptrot’s memoir of the… Read More Movie Review: The Outrun
By John Corrado Between the Temples, the latest work from director and co-writer Nathan Silver, is a sort of indie screwball comedy that reinvents that old trope of finding yourself through an unconventional relationship. The two figures at the centre of it are Ben Gottlieb (Jason Schwarzman), a cantor at his synagogue who has found… Read More Movie Review: Between the Temples
By John Corrado In We Grown Now, writer-director Minhal Haig offers a vivid portrait of childhood and growing up in Chicago’s Cabrini-Green housing projects circa 1992. Malik (Blake Cameron James) and Eric (Gian Knight Ramirez) are two young Black boys who are best friends. They hang out together in an abandoned unit, and the film… Read More Movie Review: We Grown Now
By John Corrado Based on the real life case of the Littlehampton Letters (with an opening title card assuring us that “this is more true than you’d think”), Wicked Little Letters is an amusing trifle set in a small English town in 1920. The story centres around the scandal involving a series of insulting letters… Read More Movie Review: Wicked Little Letters
By John Corrado The latest animated work from co-directors Fernando Trueba and Javier Mariscal, the filmmakers behind the Oscar-nominated Chico and Rita, They Shot the Piano Player is an ambitious if uneven mix of animation and docudrama. The film opens at the Strand Book Store in New York City, where fictitious music journalist Jeff Harris… Read More Movie Review: They Shot the Piano Player
By John Corrado The Promised Land is a historical drama set in Denmark in the mid-1700s, with director Nikolaj Arcel spinning a near-epic tale out of a humble man trying to carve out his own piece of the land while going up against an arrogant nobleman. The protagonist is Captain Ludvig Kahlen (Mads Mikkelsen), who… Read More Review: The Promised Land
By John Corrado British filmmaker Molly Manning Walker’s directorial debut How to Have Sex, which won the Un Certain Regard prize at last year’s Cannes, is an often vibrant mix of party movie and subtle social commentary on the post-#MeToo generation. Walker’s film centres around Tara (Mia McKenna-Bruce), Em (Enva Lewis) and Skye (Lara Peake), three… Read More Review: How to Have Sex
By John Corrado The latest work from Tunisian filmmaker Kaouther Ben Hania (the Oscar-nominated The Man Who Sold His Skin), the Oscar-nominated documentary Four Daughters is a chilling and fascinating study of how radicalization takes hold. The film is formally audacious in its mix of documentary and dramatic reenactments, blending subjects and actors to tell… Read More Review: Four Daughters
By John Corrado The title of Memory, the latest film from Mexican writer-director Michel Franco, takes on a few different meanings throughout the course of this tender, stripped down character drama. It refers to repressed memories and the lingering impacts of childhood trauma that Sylvia (Jessica Chastain) carries with her every day, as well as… Read More Review: Memory
By John Corrado ★★★½ (out of 4) Director Madeleine Gavin’s documentary Beyond Utopia offers a compelling glimpse inside North Korea, through the eyes of those who risk their lives trying to escape the country. The real pull of Gavin’s film is the secret, handheld footage shot by defectors themselves, showing us the perilous journey that… Read More Review: Beyond Utopia
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