By John Corrado In director Josef Kubota Wladyka’s Ha-Chan, Shake Your Booty!, which won the Directing Award at Sundance earlier this year, Rinko Kikuchi stars as Haru, a Japanese woman who loves ballroom dancing. Haru lives in Tokyo, and performs in ballroom dance competitions with her husband Luis (Alejandro Edda). Then Luis dies suddenly, and… Read More Movie Review: Ha-Chan, Shake Your Booty!
By John Corrado The main takeaway from Half, the sophomore film from director Samjad P S, is that Indian vampire action cinema kinda kicks ass. Samjad’s film basically plays like a Bollywood mash-up of The Raid and Mad Max, following twin vampires out for blood and revenge in India. Ethan (Ranjith Sajeev) and Ivy (Aiswarya… Read More #TIFF26 Review: Half (Midnight Madness)
By John Corrado La Bola Negra, the new film from co-directors Javier Calvo and Javier Ambrossi known collectively as Los Javis, is an ambitious multi-character drama mixing elements of war movie, love story, and portrait of the persecution faced by gay men throughout Spanish history. It’s a sweeping film, that comes together beautifully by the… Read More #TIFF26 Review: La Bola Negra (Special Presentations)
By John Corrado Live-action adaptations of animated films can be a contentious thing, but if only they were all as lovely as Look Back, Japanese master Hirokazu Kore-eda’s live-action adaptation of the popular anime and manga of the same name. The story follows Fujino (Furi Nanase), a young manga artist in elementary school who draws… Read More #TIFF26 Review: Look Back (Special Presentations)
By John Corrado Eight years ago, Korean filmmaker Lee Chang-dong made Burning, a masterful slow-burn thriller. Now, in Possible Love, Lee’s belated follow up to that 2018 film, the director crafts a complex character drama focused on the entanglements between two married couples. Ho-seok (Sul Kyung-gu) and Mi-ok (Jeon Do-yeon) are a working class couple… Read More #TIFF26 Review: Possible Love (Special Presentations)
By John Corrado A series of Faustian bargains underpin Italian director Paolo Strippoli’s confidently directed psychological horror movie The Spiral, which is designed to provoke uncomfortable and disturbing moral questions as well as squirms. The film opens on Alice (Romana Maggiora Vergano) in Rome, being paid a visit by her estranged mother Anna (Jasmine Trinca)… Read More #TIFF26 Review: The Spiral (Midnight Madness)
By John Corrado Ancestors is the directorial debut of Irish filmmaker David Turpin, who previously co-wrote the Gothic horror movie The Lodgers. This is also, in its own way, sort of a ghost story, with Turpin using the AIDS epidemic as the backdrop for a film about legacy. Turpin’s film is set in London in… Read More #TIFF26 Review: Ancestors (Discovery)
By John Corrado In Fjord, his second Palme d’Or-winner following 2007’s 4 Months, 3 Weeks and 2 Days, Romanian filmmaker Cristian Mungiu crafts a complex film that masterfully balances being a family drama, coming-of-age story, and courtroom procedural. This is a film that exists purely in shades of grey, even literally with the washed out… Read More #TIFF26 Review: Fjord (Special Presentations)
By John Corrado In Coward, his third and most ambitious feature yet, Belgian filmmaker Lukas Dhont (Girl, Close) takes us back to World War I. Dhont’s works all explore gender identity and burgeoning sexuality, and those themes get fine-tuned here as he explores the homoerotic tensions between young Belgian soldiers who arrive on the front… Read More #TIFF26 Review: Coward (Special Presentations)
By John Corrado The latest from Japanese filmmaker Ryûsuke Hamaguchi, All of a Sudden is primarily a film about the different ways we care for each other, weaving themes about the bureaucratic power structure of a nursing home into a character drama. It’s an ambitious undertaking, even more so when you account for the fact… Read More #TIFF26 Review: All of a Sudden (Special Presentations)
By John Corrado Sheep in the Box, named for a passage in The Little Prince, is the latest work from Japanese filmmaker Hirokazu Kore-eda, who has proven himself a master of quietly observed character studies that raise thorny emotional questions. On paper, at least, this makes Kore-eda, serving as both writer and director, a natural fit… Read More Movie Review: Sheep in the Box
By John Corrado Alpha is the third feature from French filmmaker Julia Ducournau, whose previous films Raw and Titane both shocked and repulsed audiences while drawing critical acclaim. For Ducournau to follow up a film as thrilling and visionary as her sophomore feature Titane was always going to be a nearly impossible task, especially after… Read More Movie Review: Alpha
By John Corrado A young girl is selected to bake a cake for her school in honour of President Saddam Hussein’s birthday in Iraqi filmmaker Hasan Hadi’s debut feature The President’s Cake, which serves as a charming neorealist throwback. Hadi’s film is set in Iraq in the early 1990s, where, despite mass starvation caused by… Read More Movie Review: The President’s Cake
By John Corrado The first thing we hear in filmmaker Rebecca Zlotowski’s new French-language thriller A Private Life (or Vie privée) is the distinctive strains of The Talking Heads song “Psycho Killer.” The song is leaking into the office of psychiatrist Lillian Steiner (Jodie Foster), as it’s being blasted by her neighbours in the apartment… Read More Movie Review: A Private Life
By John Corrado In his coming-of-age film Olmo, Mexican director Fernando Eimbcke finds the right balance between enjoyable portrait of bratty adolescence, and heavier, more dramatic scenes, telling a small but nuanced father-son story. There’s also some star power behind the film, having been produced by Brad Pitt’s Plan B Entertainment. The titular Olmo (Aivan… Read More #TIFF50 Review: Olmo (Centrepiece)
By John Corrado In The Last One for the Road, Italian filmmaker Francesco Sossai crafts a delightful hangout movie around Carlobianchi (Sergio Romano) and Doriano (Pierpaolo Capovilla), two hapless, middle-aged vagabonds bopping around their hometown of Veneto. Their nights are spent drifting between local bars, trying to find a spot for one last drink. They pick… Read More #TIFF50 Review: The Last One for the Road (Centrepiece)
By John Corrado The latest work from Ukrainian filmmaker Valentyn Vasyanovych, To the Victory! is an interesting and narratively playful portrait of life finding a way in an imagined post-war country, and also a meta-textual look at an artist trying to use the decimated backdrop to create something. Vasyanovych stars in the film as Roman,… Read More #TIFF50 Review: To the Victory! (Platform)
By John Corrado The latest film from Korean director Park Chan-wook, following up the gauzy, neo-noir, romantic mystery of 2022’s stunning Decision to Leave, No Other Choice is a wildly entertaining film that moves so seamlessly between dark comedy, drama, and murderous thriller, that it seems to defy genre itself. The story centres around Man-soo… Read More #TIFF50 Review: No Other Choice (Gala Presentations)
By John Corrado In his latest film, the Palme d’Or winner It Was Just an Accident, formerly imprisoned Iranian filmmaker Jafar Panahi crafts another complex and involving portrait of modern day Iran. The film follows a group of people who find themselves at the centre of a moral dilemma, when a worker named Vahid (Vahid… Read More #TIFF50 Review: It Was Just an Accident (Special Presentations)
By John Corrado In his mixing of paranoid espionage thriller and absurdist dark comedy, Brazilian filmmaker Kleber Mendonça Filho delivers a culturally specific portrait of his country in the late 1970s in The Secret Agent, seen through the eyes of a man on the run during the waning days of the military dictatorship. The man… Read More #TIFF50 Review: The Secret Agent (Special Presentations)
